![]() Illustration - Collection Fall/Winter 2002/03 - The Winter Trade Prato, Italy Illustration- Collection Spring/Summer 2005 - Cachemire Studio Design Perugia, Italy Textile grapghic - Collection Spring/Summer 2005 - Cachemire studio design for One By One Alma Concept Carpi. Textile graphic - Collection Fall/Winter 2005/06 - Cachemire studio design for One by One Alma Concept Carpi, Italy Graphic design for screenprints - Claudio Cutuli, Belleville Accessori, Trevi, Italy Graphic design for screenprints - Paola Mela, Perugia, Italy Graphic illustration - Cachemire Studio Design, Perugia, Italy Power Filati Fashion Catalogue, Perugia, Italy T-shirts design for Perugia Marching Drum Corp by Sara PittaviniĬatalogue illustration & graphics - Bimbi di Oscar, Pitti Bimbo, FirenzeĬatalogue illustration - Linea Methafhore, BelgioĬatalogue illustration - Maglificio Ferrante, Pescara, Italy T-shirts design for Réseau by Sara Pittavini Tapnoise – Music Design Collection by Sara Pittavini Visual Merchandising & Graphic Design - Costume Design - Architecture & Interiorsįashion Design/Fashion Graphics 2021-2001 PROFESSIONAL SKILLS AND AREAS OF INTERESTįashion Design & Illustrations – Design - Music - Vj - Video maker - Performer - Lirics writer. Remo Buti Final grade: 110 / 110 cum laudeġ991/92 - Saint Martin’s College of Art and Design, Costume and Theatre Design London, UKġ990 - Vocational Upper-School Diploma Bernardino Di Betto Institute of Art,įashion and Costume Design Final grade: 60 / 60 - Perugia, Italy ✴ land on the other side of what is now Via Centrale Umbra that had been to site of the Roman theatre.2013 - Video Maker Master Course for Show, Television, Web tv.Ĭentro Studi e Formazione Villa Montesca, Città di Castello, ItalyĢ001 - Master of Science Degree in Architecture University of Florence, Italy 335 AD), later the church of San Fedele (above), which can be seen in the reconstruction above on Via Centrale Umbra, at the centre of the foreground (just above the word ‘ Santuario’ in its legend) and ✴ the site of what was probably the Templum Flaviae Gentis (Temple of Constantine’s Flavian dynasty, built in ca. ✴ the other, which was dedicated to Venus, on the site of the original Urbani building (now owned by the Suore Missionarie d' Egitto). ✴ one on the site of the present Villa Fidelia (at the extreme left in the foreground in the image above) and There were twin temples at the ends of this terrace: ![]() ![]() The terrace on which the Italian garden was established is the uppermost of three terraces that were established at this time. The original Urbani smallholding covered a large part the Roman sanctuary (late 1st century BC), below the walls of Spello. ✴ partially rebuilt San Fedele as a private chapel.Īerial view of the site of the Roman sanctuary ✴ re-modelled the original Casa di Villeggiatura She was a very devout woman, and one of the attractions of this site in Spello was its proximity to Santa Maria degli Angeli, Assisi: when she died in 1762, she was buried there, and her cousin, Cardinal Cosimo Imperiali commissioned her monument (1764) from Tommaso Righi. She apparently wished to escape from a troubled marriage to Filippo Camillo Pamphili, who conveniently stayed in Rome. On the extinction of the Urbani family, its property passed to the Principessa Teresa Pamphili Grillo, a talented poet, who belonged to the Accademia dell' Arcadia in Rome and wrote under the pseudonym Irene Pamisia. Was added relatively recently (probably in the 18th century) when attempts were being made to claim the poet Propertius (who probably came from Assisi) for Spello. Sext(us) Aurel(ius)/ Propert(ius)/ Sex(ti) f(ilius) Lem(onia) 40 BC but possibly from the Social Wars, was assigned to the Lemonia. The inscription is the earliest of nine surviving inscriptions that confirm that Hispellum (at least from the time of the formation of the colony in ca. L(ucius) Cominius L(uci) f(ilius) Lem(onia) The inscription below the pediment ( CIL XI 5308) records the name of the deceased: It has a triangular pediment with a flower and two dolphins, above a relief of the deceased. This stele above a door in the Sala dell’ Editto of Palazzo Comunale Vecchio came from the “cloister” (loggia ?) of Palazzo Urbani.
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